In medieval culture, an event like a royal christening is not a private party; it’s the public social event of the year. To not invite any person of rank to such an event is a deadly insult.
Maleficent is certainly someone you wouldn’t want at a party, but she’s also someone powerful enough that only a fool would ever dare treat her with such blatant disrespect. The only way the King and Queen could possibly have gotten away with not inviting Maleficent was to not invite any of the fairies at all; inviting the other fairies and excluding her is explicitly taking sides in the conflict between the fairy factions.
Which means they made themselves her sworn enemies, and she responded by treating them as such from then on. If you actually get into analyzing the social dynamics of the scene, it’s very clear that Maleficent was willing to show mercy at first by giving the King and Queen a chance to apologize for their disrespect to her. She doesn’t curse Aurora until after she gives them that chance and they throw it back in her face with further disrespect.
And yeah, if the King and Queen had done the properly respectful thing and invited her, Maleficent would have given Aurora a scary awesome present. Moreover so would the other fairies, because at that point both sides would be using it as an opportunity to show off and one-up each other. What they gave her before Maleficent showed up was basically just trivial party favors by fairy standards.
How do you know so much about the social dynamics of medieval fairies
Because the very first things anyone reading a legit fairy tale will realize right away is A) there are Rules and B) ignore them at your peril
…okay, now I just want to see baby Aurora being told by Maleficent that she will be a conqueror and a ruler without peer, the master of all Europe, to whom kings and emperors bow and scrape.
ahhhhhh i need
Sleeping Beauty AU with warrior queen Aurora leading her armies across the country to glory and victory
“Not only will you be a powerful ruler,” the next fairy after Maleficent steps up, “You will be just, honorable, and skilled, respected by friend and foe alike. What you take you will keep, and you will be remembered kindly by history.”
“Furthermore,” the second fairy steps up, “Any land you rule will prosper. Under your hand the people will thrive, the crops will flourish, and the stock be in good health. There will be wealth enough for all, with enough left for generosity.”
With this, all eyes turned to the third fairy, wondering what gift she would offer, what favour could be grand enough to follow these wonderous blessings of power, strength, and prosperity. Slowly, the third fairy approached the bassinet, standing before it a moment in contemplation, before finally speaking.
“All dogs with be your friends. Even the wild ones. Wolves too. If it’s a canine, it’s your friend now, yet they will never jump on you, make you smell weird, or get you all covered in fur.”
Maybe medieval people happened upon a T-Rex fossil and came to a relatively logical conclusion that dragons existed.
I’ve read a couple books on this actually, thats exactly what happened. Also cyclops are from looking at bones from a certain type of baby elephant. The giant note hole and tiny eyes made it look like a single eye.
Yep, can confirm! And what’s even funnier to me is that back in the dark ages, Greek people used to find a lot of prehistoric bear skeletons – and those look exactly like human skeletons, except they’re like eight feet tall or something – so they naturally assumed those were the heroes of legend, and made armour and clothes for them and reburied them with the most splendid and sacred religious ceremonies they could think of? Fast forward five centuries, Athens’ all modern and rational, philosophers and scientists aren’t taking any shit from anyone – but the problem is, people will randomly find graves containing giant-ass warriors, so that’s something that can’t be explained away and yeah, demigods were a thing and yeah, they used to be eight feet tall and sorry I don’t make the rules.
Ancient people had no idea what the bones of ancient creatures would look like or a concept of extinction. So strange bones that looked unlike modern animals were imagined based on their similarity to modern animals. A beaked dinosaur was imagined to have the head of an eagle, it’s clawed feet looked like a lion. So many mythological creatures are an assortment of different animal features, head like an X, body like a y. This may be from finding fossils which didn’t resemble any one modern animal but sort of resembled different features from various sorts of animals.
Viking traveler’s amulet, based on the Lillbjärs picture stone. The back reads: “Unharmed Go Forth, Unharmed Return, Unharmed Back Home”, Frigga’s blessing to Odin, possibly from Vafþrúðnismál.
How does this have almost 10,000 notes ?
Because the world is full of trouble and every little bit of help counts.
It’s ironic that I work in education but I don’t know how to make an art tutorial, so here’s my sad attempt! Forgive me if it’s useless.
I LOVE drawing hair, it’s always been my favorite, although I’m a bit of a perfectionist and therefore hair is usually the part that takes me the longest when I work on a piece. It involves a lot of experimentation and drawing the same lines over and over until I get the right shape or flow and it requires a lot of patience (at least for me). Is there a right way to draw hair? Of course not! That’s the beauty of it. Every artist is unique and will have their own style, it’s all about trying new techniques to see what works best for you. *blows kiss*
Okay here we go!
I generally have three main steps: a loose sketch, a more refined sketch to build a cleaner design, then the final lineart. I also tend to make about 3 or 4 sketches to find the right hairstyle or flow. (I’m also indecisive as f**k)
Things I think about:
Action, dimension, shape, flow, movement and how it’ll interact with the body or what’s around it
Is there wind? Is the character outside? What are they doing and how would the hair respond to that? Is it pulled behind the ear? Wrapped around the neck? Tied up?
References and inspiration – I always use a reference of some kind just to remind myself what I like or what I want to see, it’s the best tool to keep myself on track. Sometimes I even use my own art just to see what how I’ve done it before and what I liked about it. Don’t be scared of reference! (Example: Alphonse Mucha’s art is a major inspiration, I LOVE his use of line weight, shape and flow)
Using Gladio’s face from a wip I’m currently working on, I tried to draw some of my process out:
(Is it blurry!? Did I screw this up? Oh well, let’s keep going!)
Steps:
Sketch – Loose and messy gesture lines to show the general shape and movement. It’s okay if your sketch looks like a hot mess, it’s supposed to!! I have a hard time staying loose myself, so I’m working on that. Usually my sketches are very dramatic haha.
Refined Sketch – This is where I start to actually define the strands and the general shapes. By using my sketch as a guide, I can then build the design and the more individual strands and how they interact with each other. This can take a while (like it takes me hours). I try to go slower and I’ll end up reworking it a few times before I’m happy. Tip: reverse your canvas! It helps you see if your hair is more or less balanced or if something looks off.
Final Lineart – At this step, I strengthen my lines and erase lines where I want the flow to be more continuous. I also add detail lines and extra strands or flyaway hairs for a more interesting or complex design. The example above is still too messy or simple for what I normally like, but that’s okay. Also, what the heck is up with that messy bun? What am I even doing?
Final points:
Find inspiration and examples of what you like! This can be from other artists, movies, nature – literally anything. References are your best friend.
Experiment and try new things – I’m always trying to push my designs further and learn new skills
Keep your sketches loose and messy! I like to warm up by drawing circles, ovals or like the infinity/8 shape over and over again.
Play with line weight and thin vs thicker hair strands. Have the hair interact with something, whether it’s an ear or a shoulder or itself. Push yourself for an interesting design. (Gotta push myself too! It can be a frustrating process)
The more you practice, the better you get (cliche, but it’s so true)
Honestly, I don’t even know what I’m doing half the time and my skills have a long way to go. So we’re on this hair journey together! ❤
BONUS!
Here are a couple Gladio sketches that I never posted on tumblr as an example of a messy sketch vs a more refined sketch
Apparently I really like drawing Gladio shirtless Okay hope this was somewhat useful! ❤
During World War II, 600,000 African-American women entered the wartime
workforce. Previously, black women’s work in the United States was
largely limited to domestic service and agricultural work, and wartime
industries meant new and better-paying opportunities – if they made it
through the hiring process, that is. White women were the targets of the
U.S. government’s propaganda efforts, as embodied in the lasting and
lauded image of Rosie the Riveter.Though largely ignored in America’s
popular history of World War II, black women’s important contributions
in World War II factories, which weren’t always so welcoming, are
stunningly captured in these comparably rare snapshots of black Rosie
the Riveters.
Reblogging because I’ve never seen these before, and I bet a lot of people haven’t.
Chartreuse Abstruseness Export 